
Edward Yang
Edward Yang (Chinese: 楊德昌; pinyin: Yáng Déchāng; November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. Yang, along with fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang, was one of the leading film-makers of the Taiwanese New Wave and Taiwanese Cinema. Yang's singular visual style has been defined by deliberate pacing, long takes, fixed camera, few closeups, empty spaces, and cityscapes. His films prominently feature themes of struggle between tradition and modernity, and between business and art, set against the backdrop of an evolving Taiwanese society.
Known For | Directing |
---|---|
Most Rating | 0.185 |
Birthday | 1947-11-06 |
Place of Birth | Thượng Hải, Trung Quốc |
Also Known As | Yang Dechang, Te-Chang Yang, 楊德昌, 에드워드 양, 양더창, 杨德昌, |

1981

Happy Single Lady
0/0
A TV movie and part of groundbreaking Taiwan TV series “Eleven Women”.
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Happy Single Lady

2000

Yi Yi
7.9/550
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes hi...
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Yi Yi

2007

The Wind
8/1
Of the many unrealized projects Yang developed in the wake of Yi Yi, the one that came the closest to fruition was an ambitious animated martial arts...
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The Wind

1998

Jam
5/1
The lives of two young thieves, a mob hitman and a film producer are entangled when the two thieves steal a car that had already been previously stole...
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Jam

1984

A Summer at Grandpa's
7.4/45
A coming-of-age story about a young brother and sister whom spend a pivotal summer in the country with their grandparents.
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A Summer at Grandpa's

1997

First Love Unlimited
6/2
Only the lack of roses in every frame prevent this teen romance from being a live action Shojo Manga.
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First Love Unlimited

1982

The Winter of 1905
0/0
Tsui Hark stars as Chinese artist and Buddhist monk Li Shutong, a.k.a. Master Hong Yi. Li travels to Japan to study Western artistic practices, and re...
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The Winter of 1905

1998

Yang ± Yin: Gender in Chinese Cinema
5.4/7
An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explor...
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Yang ± Yin: Gender in Chinese Cinema

1993

When Cinema Reflects the Times: Hou Hsiao-Hsien and Edward Yang
6.667/3
From the 1980s to the 1990s, New Taiwanese Cinema gained international attention for adopting a completely different approach to that of the commercia...
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